Los arreglos, reducidos a la mínima expresión, están pensados para mantener la sensación de fluidez a lo largo de los cincuenta y tantos minutos de música. Pequeños detalles formales, como un ritmo de bossa nova (My ideal), un vertiginoso stop chorus (Cottontail), unas primeras frases a piano solo (Eronel) o un intercambio de ochos y cuatros entre contrabajista y batería armado de escobillas (Bye Bye Blackbird) contribuyen eficazmente al desarrollo del disco. En general el CD está concebido desde la naturalidad, pero aunque parezca una paradoja, la naturalidad no está al alcance de cualquiera. Evitar la tentación del tremendismo o la humorada es un síntoma de madurez en tiempos en que se diría obligatorio disfrazarse de Toni Manero o tocar canciones de los Bee Gees para que le consideren a uno pianista de culto. En mi opinión, lo que han hecho Ricardo, Luis y Felipe tiene mucho más mérito.

OMIX RECORDS MUSIC STORE ON-LINE... en Valencia, sin duda, ellos tres son La Sección Rítmica con mayúsculas, ... un vertiginoso stop chorus (Cottontail), unas primeras frases a piano solo ...
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the stop-chorus; that consists in following the harmonic grid but playing only one agreement out of two or one agreement out of four.
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The structure of the piece of impromptu jazz is often the following one:

Topic: it is often a standard, either taken again such as it was composed, or arranged by the musicians. It is often played in introduction and the end of the piece.
Solo, Chorus or impro: it is the moment when each musician improvises with his instrument, generally while basing himself on the structure of the harmonic grid, which is used to him as framework. During this impro, one follows the following methods more or less:
the other musicians of the group play the grid with mezza voce to let the soloist arise;
if there is a piano in the group, all the musicians can make silence, letting the piano simply accompany the soloist;
the group practises the stop-chorus; that consists in following the harmonic grid but playing only one agreement out of two or one agreement out of four.
One often regards the improvisation as made up to 50% of inspiration and 50% of theory; besides one should never put side the theory in the improvisation, that would be an error, this one can be only beneficial with the development of the creativity.

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