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Portuguese to English: Youth and Rebelliousness festival Catalog General field: Art/Literary Detailed field: Cinema, Film, TV, Drama
Source text - Portuguese Juventude é sinônimo de rebeldia? Ou juventude se tornou apenas um apelo publicitário? Em junho de 2014, fará um ano que começaram as grandes manifestações por todo o Brasil. Os manifestantes, formados em sua maioria por jovens - se os definirmos apenas pela idade -, ganharam espaço nas grandes mídias nacionais e internacionais. De lá pra cá os protestos continuaram, com menos intensidade, mas sempre com o mesmo objetivo: a mudança. Mas assim como a mostra Juventude e Rebeldia não foi elaborada a partir das manifestações de junho de 2013, ela não pretende apenas refletir sobre os protestos.
Por isso, nós perguntamos: a rebeldia é intrínseca aos jovens? Ao mesmo tempo em que discute-se a alienação juvenil, ao redor do mundo estouram movimentos que gritam: não estamos satisfeitos. Como toda insatisfação, ela é fruto do meio, da sociedade em que tais movimentos estão inseridos. E também apresenta-se como uma proposta de mudança, um caminho apontado. Dentro desse contexto, o cinema, uma arte que sempre se apoiou nos jovens, torna-se crucial para entender o passado e o presente e para especular sobre o futuro.
A mostra Juventude e Rebeldia traz à Caixa Cultural do Rio de Janeiro 14 filmes contemporâneos, produzidos nos últimos 20 anos, de diferentes diretores e nacionalidades que tratam da representação do jovem em seu contexto político e social. Durante duas semanas, o público da capital fluminense terá a oportunidade de ver obras memoráveis, com a beleza e a sensualidade da juventude e a força icônica de filmes que tratam de transformação e interferência no entorno social, em seus diversos aspectos.
Diretores consagrados e premiados como Danny Boyle (Trainspotting), Ken Loach (Felizes Dezesseis) e Mathieu Kassovitz (O Ódio), assim como outros realizadores não tão conhecidos do grande público, como Stuart Townsend(A Batalha de Seattle), Shane Meadows (Isto é Inglaterra) e Olivier Assayas (Depois de Maio), discutem temas relevantes e onipresentes nos dias de hoje: drogas, terrorismo político, sexo, educação, música, violência, protestos. Alguns destes filmes nem chegaram aser lançados comercialmente no Brasil ou já estão fora de catálogo; desta forma a mostra Juventude e Rebeldia dá essa oportunidade única para muitos espectadores cariocas de assistirem essas grandes obras.
A curadoria foi montada a partir de um espectro mais amplo do significadode ser jovem e rebelde, com os filmes selecionados retratando jovens buscando respostas contra a opressão imposta a eles. Certos ou errados, conscientes ou ingênuos: não importa. Eles apenas devolvem para a sociedade o que recebem dela. Ou como na frase que encerra o filme O Ódio: “É a história de uma sociedade que cai e que repete, durante a queda, como para se reconfortar: ‘Até aqui, está tudo bem. Até aqui, está tudo bem. Até aqui, está tudo bem.’ O importante não é a queda, é a aterrissagem.”
Thiago Carvalho
Curador
Translation - English Is the youth synonym for rebelliousness? Or did the youth become a simple advertising trend? In June of 2014, will be completed one year since the great public manifestations began to occur all around Brazil. The protesters, comprising mostly of young people - if we define them only by age - have achieved space within the great national and international media. Since then the protest continued, with lesser intensity, but always with the same purpose: change. In the same manner that the Youth and Rebelliousness festival was not elaborated from the public manifestations of June 2013, it does not try to simply reflect upon the protests.
Therefore, we ask: is rebelliousness intrinsic to young people? At the same time that juvenile alienation is being discussed, around the world there are movements popping out that scream: we are not satisfied. Such as all unsatisfaction, it is originated from the environment, the society in which such movements are inserted. And also presents itself with a proposal of change, a path pointed out. Within this context, the cinema, an art that has always been supported by the young, becomes crucial to understand the past and the present and to speculate upon the future.
The Youth and Rebelliousness Festival brings to Rio de Janeiro’s Caixa Cultural 14 contemporary movies, produced in the last 20 years, by different directors and nationalities that concern the representation of the young in its political and social context. During two weeks, the public from the Fluminense capital will have the opportunity to see memorable works, with the beauty and sensuality of youth and the iconic strength of movies which deal with the transformation and interference in the social surroundings, in its many aspects.
Consecrated and awarded directors such as Danny Boyle (Trainspotting), Ken Loach (Sweet Sixteen), and Mathieu Kassovitz (La Haine), as well as other filmmakers who are not in the mainstream, such as Stuart Townsend (Battle In Seattle), Shane Meadows (This Is England) and Olivier Assayas (Something in the Air), discuss relevant and omnipresent themes of nowadays: drugs, political terrorism, sex, education, music, violence, protests. Some of these movies were not even commercially released in Brazil or they are already out of catalog; this way, the Youth and Rebelliousness festival gives this unique opportunity to many carioca spectators, so they may watch these great works.
The curatorship was assembled from a wider specter of the meaning of being young and rebellious, with the selected movies picturing young people searching for answers against the oppression imposed upon them. Right or wrong, conscious or naive: it does not matter. They only give back to society what they have received from it. Or as in the ending sentence of La Haine: “It is the story of a society which falls and repeats, during the fall, as to comfort itself: ‘So far, so good. So far, so good. So far, so good.’ The important is not the fall, it’s the landing.”
Thiago Carvalho
Curator
Portuguese to English: For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition General field: Art/Literary Detailed field: Art, Arts & Crafts, Painting
Source text - Portuguese RESUMO – Para um Teatro Performativo em Pirandello: um breve diálogo com Deleuze e o teatro da repetição – Este artigo é o resultado de pesquisa prática no campo das artes cênicas, com ênfase nos processos e resultados artísticos alcançados nos estudos
de cena pirandellianos. Na busca de uma teatralidade construída a partir do cruzamento entre teatro e performance, investiga-se a dramaturgia do autor italiano a partir de seu nó principal: a constatação pelo próprio dramaturgo do impoder de representação do teatro. Neste artigo, organizamos documentos e reflexões de um ano de atividades práticas em torno da cena e da dramaturgia do autor italiano, revisitada a partir de uma teatralidade performativa, à luz do conceito deleuziano de teatro da repetição.
Palavras-chave: Pirandello. Deleuze. Teatro Performativo. Teatro da Repetição.
Maschere Nude.
Translation - English ABSTRACT – For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition – This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition.
Keywords: Pirandello. Deleuze. Performative Theatre. Repetition Theatre. Maschere Nude.
German to English: Einverständniserklärung General field: Law/Patents Detailed field: Safety
Source text - German Einverständniserklärung für eine Tätowierung bei Tätowierer:
Einwilligung zur Lichtbildverwendung
Wir werden von dem fertiggestellten Werk Lichtbildaufnahmen fertigen. Der Kunde/die Kundin willigt hiermit ausdrücklich darin ein, dass diese Lichtbilder jenseits eines gemäß Art. 6 Absatz 1(f) EU-DSGVO zulässigen Zwecks zum Zwecke der Außendarstellung auf unserer Website, unseren Social Media Auftritten oder auf Werbebannern veröffentlich werden.
Einwilligung zur Erhebung von Gesundheitsdaten
Zudem werden in dieser Einwilligungserklärung Gesundheitsdaten erhoben, damit wir entscheiden können, ob die Durchführung des Vertrags ohne Gefahr für Eure Gesundheit und ohne Beeinträchtigung des Ergebnisses unserer Arbeit möglich ist. Daher kann ohne diese Datenerhebung der Vertrag von uns nicht durchgeführt werden. Bei diesen Daten handelt es sich um besondere Daten im Sinne des Art. 9 EU-DSGVO. In deren Erhebung wird hiermit ausdrücklich eingewilligt. Diese Daten werden von uns nicht an Dritte weitergegeben und sie werden für die Dauer von 10 Jahren bei uns aufbewahrt. Hiernach werden die Einwilligungserklärung und diese Zustimmungserklärung vernichtet.
Diese Einwilligung kann uns gegenüber jederzeit widerrufen werden (Art. 7 Abs. 3 EU-DSGVO). Hiernach dürfen wir die Verarbeitung der unter der Einwilligung erhobenen und/oder verwendeten Lichtbilder nicht mehr fortsetzen. Die erhobenen Gesundheitsdaten werden – da deren Verarbeitung bis zum Zeitpunkt des Widerrufs legitim ist – bis zum Ablauf der Aufbewahrungsfrist verwahrt.
______________, den ____________ Unterschrift _____________
Material:________________________________________________
Besonderheiten:__________________________________________
Kundendaten (vom Kunden auszufüllen):
Name: _____________________________ Vorname:__________________________________
Geb. Datum:_____________ Str./Ort:______________________________________________
Telefon: _____________________ Ausweisnummer:___________________________________
Email: ______________________________________________
Die unterzeichnende Person willigt hiermit in den zum Tätowieren notwendigen Eingriff ein.
Mir ist klar, dass eine Tätowierung einen Eingriff in die Unversehrtheit meines Körpers und somit eine gewollte Körperverletzung darstellt.
Dieser Eingriff wird auf eigenen Wunsch und Verlangen vorgenommen, des Weiteren entbinde ich mit einer Unterschrift das Studio und den Tätowierer selbst von jeglicher Verantwortung für diese vorsätzliche Verletzung des Körpers. Die Haftung des Studios und des Tätowierers ist auf Vorsatz und grobe Fahrlässigkeit beschränkt. Haftung und Schadensersatzansprüche, auch für Komplikationen jeder Art und Folgeschäden sind damit in diesem Rahmen ausgeschlossen, dies beinhaltet auch allergische Reaktionen und mögliche Blowouts (ausgelaufene/ unscharfe Linien, Farbschatten im Kapillargewebe). Die unterzeichnende Person erklärt, ausreichend über die Tätowierung, die Nachbehandlung und eventuelle Komplikationen aufgeklärt worden zu sein.
Ferner erklärt die unterzeichnende Person,
kein Bluter zu sein,
nicht an Hepatitis, HIV, Leukämie, Krebs oder Diabetes erkrankt zu sein,
nicht an ansteckenden Krankheiten zu leiden,
nicht an einem Herzklappenfehler zu leiden,
keine blutverdünnenden Medikamente oder Blutgerinnungshemmer einzunehmen,
an keinen akuten Infektionen, wie z. B. Bronchitis, Grippe oder Mittelohrentzündung sowie sonstigen Entzündungen zu leiden,
nicht an Schuppenflechte, Neurodermitis oder sog. wildem Fleisch erkrankt zu sein.
Die unterzeichnende Person erklärt, nicht unter Alkohol, Medikamenten oder Drogeneinfluß zu stehen.
Die Pflegehinweise wurden ausgehändigt, gelesen und verstanden.
Die unterzeichnende Person hat das 18. Lebensjahr vollendet.
Die ausliegenden AGB wurden gelesen und akzeptiert.
Unwahre oder nicht korrekte Angaben entbinden das Studio bzw. den Tätowierer von jeglicher Verantwortung.
Schriften: Der Unterzeichner erklärt hiermit, dass die Schrift eigenhändig auf Inhalt, Rechtschreibung und Grammatik kontrolliert und freigegeben wurde, dies gilt auch und besonders bei Fremdsprachen.
Schwierige Stellen: Die Beschaffenheit der Haut ist je nach Körperstelle stark unterschiedlich. An einigen Stellen ist das Tätowieren nur bedingt geeignet. Der Unterzeichner erklärt, dass er in diesem Fall über das erhöhte Risiko aufgeklärt wurde.
Nachstechen: Ist, bei Bedarf, einmalig, innerhalb von drei Monaten nach dem Termin, im Preis enthalten.
______________, den __________ Unterschrift ________________
Translation - English Declaration of consent for a tattoo with tattoo artists:
Consent to the use of photographs
We will take photographs of the completed work. The customer hereby expressly agrees that these photographs can be used in accordance with Art. 6 paragraph 1(f) EU-DSGVO for the purpose of external presentation on our website, our social media appearances, or on advertising banners.
Consent to the collection of health data
In addition, health data is collected in this declaration of consent so that we can decide whether the execution of the contract is possible without risk to your health and without impairing the result of our work. Therefore, without this data collection, the contract cannot be carried out by us. This data is special data within the meaning of Art. 9 EU-DSGVO. We hereby expressly consent to their collection. This data is not passed on to third parties and we keep it for 10 years. Thereafter, the declaration of consent and this declaration of approval will be destroyed.
This consent can be revoked at any time (Art. 7 Para. 3 EU-DSGVO). After this, we are no longer allowed to continue processing the photographs collected and/or used under the consent. The health data collected will be kept until the end of the retention period since their processing is legitimate up to the time of revocation.
_______________, of __________ Signature __________________
Customer data (to be filled in by the customer):
Last name: _____________________________
First Name:__________________________________
Birth. Date:_____________ Str./Place:______________________________________________
Telephone: _____________________
Id number:___________________________________
Email: ______________________________________________
The undersigned hereby agree to the intervention necessary for tattooing.
It is clear to me that a tattoo represents an intrusion into the integrity of my body and therefore a deliberate bodily harm.
This intervention is carried out at my own will and request. Furthermore, with my signature, I release the studio and the tattoo artist from any responsibility for this intentional injury to the body. The liability of the studio and the tattoo artist is limited to intent and gross negligence. Liability and claims for damages, also for complications of any kind, and consequential damage are excluded in this context, this also includes allergic reactions and possible blowouts (leaked/blurred lines, colored shadows in the capillary tissue). The undersigned declares that they have been sufficiently informed about the tattoo, the aftercare, and any complications.
Furthermore, the undersigned declares
not to be a hemophiliac,
not to have hepatitis, HIV, leukemia, cancer, or diabetes,
not to suffer from contagious diseases,
not to suffer from a heart valve defect,
not to take any blood-thinning medication or anticoagulants,
no acute infections such as B. bronchitis, flu or otitis media, and other inflammations,
not to be suffering from psoriasis, neurodermatitis, or so-called keloid.
The undersigned declares not to be under the influence of alcohol, medication, or drugs.
The care instructions have been handed over, read, and understood.
The undersigned is 18. Years old completed.
The general terms and conditions have been read and accepted.
Untrue or incorrect information releases the studio or the tattoo artist from any responsibility.
Fonts: The undersigned hereby declares that the writing has been personally checked and approved for content, spelling, and grammar; this also and especially applies to foreign languages.
Difficult spots: The texture of the skin varies greatly depending on the part of the body. In some places, tattooing is only suitable to a limited extent. The undersigned declares that he has been informed of the increased risk in this case.
Retouching: If required, it is included in the price once within three months of the appointment.
________________, on ___________ Signature ________________
English to Portuguese: Huobi Website Content General field: Bus/Financial Detailed field: Finance (general)
Source text - English https://www.huobi.com/en-us/
Adobe Acrobat, Adobe Illustrator, Adobe Photoshop, Frontpage, Indesign, memoQ, Microsoft Excel, Microsoft Office Pro, Microsoft Word, Corel Draw, Pagemaker, Powerpoint
Native Portuguese (Both Portugal and Brazil variants) Linguist | 8+ years of experience | Near-native English, Near-native Spanish, and Professional Proficiency in German
Looking for a way to grow and thrive in the Portuguese-speaking market? Here are some of the things I can help you with:
✔️ Translation
✔️ Proofreading
✔️ Localization (Software, Websites, Games, Apps)
✔️ Audiovisual Translation (Subtitling)
✔️ Copywriting
Main fields of specialization:
📈 Finance (Fintech, Crypto, Blockchain)
📰 Marketing (SEO and SEA content localization)
🎬 Arts, Media, and Entertainment
🎮 Games
📜 Science and Academic related material
* Feb 2022 - Jun 2023 in-house translator/proofreader to Huobi (5th biggest Cryptocurrency Exchange Platform in the World) based in Hong Kong.
* Further professional experience gained in numerous freelance assignments since 2015
Would you like to discuss a project? Feel free to reach out!
Keywords: portuguese
spanish
german
localization
translation
finance
art
games
Expertise