Translation glossary: Film terms

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Reduction PrintAn optical reduction of a film from one gauge to another, such as 35mm to 16mm. 
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Reel1.: A metal or plastic spool for holding film, either for projection or editing. 2.: In 35mm a reel is 1,000 feet of film (or usually a little less). 
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Reflective Light ReadingA reflective light reading measures the amount of light bouncing off the subject. You take a reflective reading with a light meter equipped with a ho 
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Reflector Board or Reflector Cardsee Bounce Card. 
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ReflexA viewfinding system in a camera where the image you see in the viewfinder is viewed through the same lens that is used to photograph the image on fi 
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RegistrationThe degree to which one frame lines up with the next is registration. A camera with poor registration will create an image that will gently bobble wh 
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Registration PinA registration pin is found in the movement certain cameras, such as the Arriflex and the Eclair, and acts to steady the image during exposure. 
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Release PrintThis is a print made after the answer print has been approved. It is not retimed, but struck using the same timing as the final answer print. Because 
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ResolverA device that governs the speed of a tape recorder during the transfer to mag, insuring the sound will be in sync with picture. The resolver uses the 
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ReversalA type of film and method of processing that yields a positive original. This is the moviefilm equivalent of slide film and processing, in still phot 
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Reverse ShotA shot from the other side of the previous shot (though preferably on the same side of the 180° Line), such as cutting between two characters talking 
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RewindsA simple device for winding film, consisting of a crank and a spindle for mounting one or more reels, typically found mounted on either side of an ed 
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RivasA type of tape splicer which uses perforated splicing tape. Two models exist: One for straight cuts used for picture, and one for slanted cuts used f 
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Room ToneA recording of the “silence” of a room or any location, to be used to fill in gaps when editing the sound. The silence of a location is really not ve 
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Rough CutThe edited film, between the stages of being an assembly and a fine cut. 
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RushesThe workprint, when it is just back from the lab, unedited, called the rushes because of the rush to see that everything came out alright. Also known 
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S.M.P.T.E. LeaderAnother term for Academy Leader. 
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SandbagA cloth bag with two chambers filled with sand, used as a weight on the legs of a light stand for additional stability. 
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SceneA scene is really just a single shot. But often scene is used to mean several shots, which is more to do with the word’s origin in theater. It is som 
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ScratchDamage to a film in the form of a long gouge of either the emulsion or the base. A scratch on the emulsion is pretty much unfixable, since part of th 
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Scratch MixA mix with little correction of the sound, that is usually done before the final mix in order to screen the film with all the sounds in place, to det 
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Scratch TestA scratch test is done before shooting, by running either a foot or two of the beginning of a roll of film, or a dummy roll of film, and checking for 
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Scratch TrackA sync recording made under conditions that make the sound useless, except for reference to the sound editor or to the actors for dubbing. 
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SelectsSometimes it is useful to separate out all the shots you are going to use before beginning to edit. These are known as selects. 
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SharpieA permanent felttipped marker useful for labeling the cans of exposed rolls out on a shoot and in the editing room for labeling your leader. Sharpie 
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Shooting RatioThe ratio of how much film shot compared to running time of the finished film. For instance a 5 minute film for which you shot 30 minutes of footage 
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ShortendsThe unexposed remainder of a roll of film in a magazine that is clipped and placed back into a can for use later. Unlike recans a shotend is somethin 
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ShotA shot is the film exposed from the time the camera is started to the time it is stopped. Shot and Scene are interchangeable terms. 
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Silent CameraThis term is often a little confusing because it does not mean a camera that is itself silent, and therefore usable for sync sound, but it means a no 
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Silent Speed18 frames per second. A slightly archaic notion left over from the time when 16mm was used exclusively for home movies. It is not always that easy to 
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Single Perf16mm film with a row of perforations along one edge. On the film can this will be indicated by 1R appearing on the label. 
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Single ReelIn 35mm a reel is 1,000 feet of film (or usually a little less). 
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Single SystemSingle System refers to recording, editing or projecting sound and picture together on the same piece of film. Cameras used for tv news would record 
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Slop PrintAn untimed black and white dupe print of your workprint, used for projection in a sound mix. A slop print is used because splices can jump and cause 
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SlugA rather unattractive sounding name for Filler. 
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Soft LightA type of light with a builtin surface to act as a bounce card, providing soft, indirect light on the subject. 
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Sound BlanketBasically just a quilted mover’s blanket. Often it is thrown over the camera (and the camera operator) to cut down on camera noise, as a sort of impr 
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Sound Fillsee Filler. 
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Sound ReaderA playback head for reading mag stock, mounted on a bracket that snaps onto a synchronizer. It is pugged into the squawk box. 
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Sound Slugsee Filler. 
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Sound Speed24 frames per second. The normal speed for filming and projecting. 
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SpacerA metal cylinder with a flat plate at one end and a hole through the center, used between reels on the spindle of a rewind to space out the reels the 
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SpecificsIn sound editing, these are any effects that directly relate to the picture, where we see a thing happen and hear it too. Backgrounds, ambiance and s 
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SpiderAnother, less commonly used, term for Spreader. 
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SpikesSpikes are a term that comes from theater. They are little pieces of tape placed around the legs of furniture, or the tripod legs, before they are mo 
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SpliceA method of joining two peices of film so they can be projected as one continuous piece. There are three methods: the Tape Splice (usually used for e 
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Splicing TapeA special type of clear tape, not interchangeable with scotch tape, used to splice film. It comes in perforated (for use with a Rivas) and unperforat 
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Split ReelA very handy reel, the two halves of which may be unscrewed and film on a core placed between. Once screwed back together (but not too tight, or it w 
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Split Screensee Matte Shot. Typically a split screen is a matte shot divided down the center of the shot. 
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Spool DownWinding an unexposed 400 foot roll down onto four 100 foot daylight spools for use in a camera that will only take 100 feet of film. Spooling down ca 
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