italiano: artista inframedialeinglés translation: inframedia artist  KudoZ The KudoZ network provides a framework for translators ... More  |
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| Entrada de glosario (tomada de la pregunta de abajo) | | Término o frase en italiano: | artista inframediale | | Traducción al inglés: | inframedia artist | | Aportado por: | Rachel Fell |
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Traducciones de italiano a inglés [PRO]
Art/Literary - Arte, artes manuales, pintura | | Término o frase en italiano: artista inframediale | This is from the catalog of an art exhibit, which includes very brief descriptions of the artists represented in the show. The sentence in question is:
"Esempio di artista inframediale è quello di XXX che ha sperimentato a Venezia le possibilità del video e della prassi installativa, lavorando sul paesaggio lagunare e sulla interazione tra laguna e interventi scultorei di grandi dimensioni...."
I can't find any confirmation for this as anything other than a medical term ("inframedial" - situated below or in the middle) so he seems fairly obviously to be using the word in some poetic or figurative sense. But what does it mean?!
He's praising the artist, so doesn't mean literally "below the middle." Does anyone read a reference to "media" - since the artist obviously used quite a few (photos, sculpture, video, installations, etc.) If so, what do you suppose he's saying?
I'm extremely unlikely to use "inframedial" unless I have no other choice, so I'd appreciate alternative proposals.
Thanks. |
| Wendell RickettsActividad en KudoZPreguntas hechas: 115 (todas cerradas) ( 3 closed without grading) Respuestas: 116
Italia
| Local time: 01:48
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| Clarification request(s) and responseRachel Fell: 11:26 Sep 23, 2008: Hi Wendell: does he involve sound in his works?
Wendell Ricketts: 11:38 Sep 23, 2008: Rachel - the description doesn't mention it specifically, but I imagine his videos and installations might have included sound.
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| | inframedia artist | Explicación:
I found a few refs. to this, but not sure whether it correlates with the Italian meaning and it usually seems to involve audio components
The second release on Demux is Peter Newman's Paperhouse DVD, a lush wall of fuzzy, grainy AV sensation. Like Wade Marynowsky, Newman's aesthetic could loosely be described as post-digital, overprocessed, inframedia, whatever; disintegrating media surfaces shifting between abstraction and figuration. But if Marynowsky's work has a hard, bitcrunched edge, Newman's seems to have been somehow worn smooth, or buried for years and then exhumed.
Like his compatriots Robin Fox and Andrew Gadow - and Marynowsky too - Newman works at a cross-modal alchemy, where sound and image suffuse into something approaching pure sensation. Newman comes right out with it and says "synaesthesia" on his (apparently dormant) blog. He also gives an impression of the context and formative elements here - and some stills, like the one below. But frankly none of it could prepare you for the beauty of this work. Back in the heyday of glitch I wrote about inframedia aesthetics in terms of materiality, a process rendering media technologies as embodied sensation. Newman's work seems to push materialisation as far as it can go, beyond the cool reflexivity of glitch and into sheer texture, tactile immersion and an overloaded, full-throated melancholy
http://teemingvoid.blogspot.com/2007/08/peter-newman-paperho...
http://creative.canberra.edu.au/mitchell/papers/InframediaAu...
[PDF]
"New Performance Tools: Technologies / Interactive Systems”
File Format: PDF/Adobe Acrobat - View as HTML
digital artists. Constructed, processed dance emerging in interactive environments - what does it look. like? How does inframedia work in real time and ...
incorporating the intention of the operator (hammerer using hammer, violinist using
violin, dancer using dance technique, bodily knowledge with movement-sensing devices,
etc). What is “systemness”: the interactive system and its protocols incorporate the
user but not the user-intentions. Design practices which make the interface as invisible
as possible or seek to make the navigation/ use easy and intuitive; the performance-user
(dancer, choreographer, composer) as extended instrument of interactive system; design
of “characters”, sonic display/instrument design, composed instrument, frame of
animation; painting - drawing -dancing (motion capture); the creation, implementation
and saturation of media protocol; gesture/speech recognition; data mapping and
inframedia.
The discussion s
www.digitalcultures.org/Library/ThinkTank_Tools.pdf
--------------------------------------------------
Note added at 6 days (2008-09-29 08:23:53 GMT) Post-grading
--------------------------------------------------
;-) agree with your comment |
| Respuesta elegida de:
 Rachel Fell
Reino Unido
Local time: 00:48
| Nota de quien pregunta a quien contestaThough I suspect that intermedia, multi-media, or multi-modal artist would all be acceptable for this slightly awful, very trendy, and not particularly specific term, I went with this one mostly because it let me stay closest to the Italian.
4 puntos KudoZ otorgados a esta respuesta |
|
4 minutos Nivel de confianza:   |
3 horas Nivel de confianza: |
| inframedia artist
Explicación:
I found a few refs. to this, but not sure whether it correlates with the Italian meaning and it usually seems to involve audio components
The second release on Demux is Peter Newman's Paperhouse DVD, a lush wall of fuzzy, grainy AV sensation. Like Wade Marynowsky, Newman's aesthetic could loosely be described as post-digital, overprocessed, inframedia, whatever; disintegrating media surfaces shifting between abstraction and figuration. But if Marynowsky's work has a hard, bitcrunched edge, Newman's seems to have been somehow worn smooth, or buried for years and then exhumed.
Like his compatriots Robin Fox and Andrew Gadow - and Marynowsky too - Newman works at a cross-modal alchemy, where sound and image suffuse into something approaching pure sensation. Newman comes right out with it and says "synaesthesia" on his (apparently dormant) blog. He also gives an impression of the context and formative elements here - and some stills, like the one below. But frankly none of it could prepare you for the beauty of this work. Back in the heyday of glitch I wrote about inframedia aesthetics in terms of materiality, a process rendering media technologies as embodied sensation. Newman's work seems to push materialisation as far as it can go, beyond the cool reflexivity of glitch and into sheer texture, tactile immersion and an overloaded, full-throated melancholy
http://teemingvoid.blogspot.com/2007/08/peter-newman-paperho...
http://creative.canberra.edu.au/mitchell/papers/InframediaAu...
[PDF]
"New Performance Tools: Technologies / Interactive Systems”
File Format: PDF/Adobe Acrobat - View as HTML
digital artists. Constructed, processed dance emerging in interactive environments - what does it look. like? How does inframedia work in real time and ...
incorporating the intention of the operator (hammerer using hammer, violinist using
violin, dancer using dance technique, bodily knowledge with movement-sensing devices,
etc). What is “systemness”: the interactive system and its protocols incorporate the
user but not the user-intentions. Design practices which make the interface as invisible
as possible or seek to make the navigation/ use easy and intuitive; the performance-user
(dancer, choreographer, composer) as extended instrument of interactive system; design
of “characters”, sonic display/instrument design, composed instrument, frame of
animation; painting - drawing -dancing (motion capture); the creation, implementation
and saturation of media protocol; gesture/speech recognition; data mapping and
inframedia.
The discussion s
www.digitalcultures.org/Library/ThinkTank_Tools.pdf
--------------------------------------------------
Note added at 6 days (2008-09-29 08:23:53 GMT) Post-grading
--------------------------------------------------
;-) agree with your comment
| Rachel Fell
Reino Unido
Local time: 00:48
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Idioma materno: inglés
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| Nota de quien pregunta a quien contesta| Though I suspect that intermedia, multi-media, or multi-modal artist would all be acceptable for this slightly awful, very trendy, and not particularly specific term, I went with this one mostly because it let me stay closest to the Italian. |
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The translation workplace 
